Category Archives: galleries

Art Rabbit, A website worth checking out!

Margareta Kern (Liza - Donja Vrba, Croatia. 2006). Courtesy of www.artrabbit.comMargareta Kern (Liza – Donja Vrba, Croatia. 2006). Courtesy of is a really interesting website allowing online readers a clear insight into the London art market, whats going on and listings. You can post your openings there too!

There’s some great online interviews including recent one with Margareta Kern. There is also a number of Art Walks posted which look really interesting and well thought out. Basically I’m pretty impressed with this site! Great for visitors and Londoners alike!

Check out for recent openings, discussion boards, news feeds and up and coming popular events.

Izzie Egan.


Leave a comment

Filed under art, c.c.c., contemporary artists, contemporary collectors, galleries, izzie egan, london, museums, Uncategorized

Gilbert and George Grace the Tate

Gilbert and George’s “Flying Shit”

Gilbert and George’s “Flying Shit”



Well, I suppose we need the bad exhibitions to enhance our opinions of what we think to be good exhibitions. However, I really could have missed Gilbert & George’s Major Exhibition at the Tate Modern today. The exhibition, which runs from February 15th to May 7th 2007, is the largest retrospective of any artist to be held at the Tate Modern. For 10 pounds (£8 concession), you can walk alongside walls covered with loud and overly-imposing eyesores. Besides the aesthetic nightmare, I found myself saying the four (maybe four-and-a-half) words commonly muttered at contemporary art shows: “I don’t get it”. So, in an attempt to understand the content of this visual repugnance I capitulated and read the guide. This was definitely a last resort as art shouldn’t need to be translated through guides.  

If you’re not familiar with the artists, Gilbert was born in Italy in 1943, and George in Devon in 1942. They met during a sculpture class in London and soon began to sculpt together. The couple looks average in every way and they are always seen wearing suits and ties as if matching attire is their crazy gimmick. According to ‘the guide,’ “They adopted the identity of ‘living sculptures’ in both their art and their daily lives, becoming not only creators, but also the art itself.” Apparently, this is the rationale why almost every image is a self-portrait. Their dry, corporate appearance is contradicted by their 12-year-old-boy personalities that find ‘pee-pee’ and ‘poo-poo’ hilarious, and even more worrying, aesthetically and artistically ground-breaking.




Each image seemed to follow the same recipe. They all resembled stained-glass church windows (even though the images themselves were produced on photo paper) and had a crucifix of some other religious reference. This was then juxtaposed by abjection, often in the form of a naked boy, random excrement, blood, or other distasteful matter. Each image also was not complete without a portrait of the two ‘artists’ and a title which was written right across the image itself. For example, one of the photos was called “Shitters” depicting shit. Another was named “Our Spunk (1997)” depicting (need I explain). Finally, some images amalgamated their subject matter including the piece “Spunk, Blood, Piss, Shit (1996)”.


I took the time to further research their art in hopes to understand it. After all they are famous for their slogan “Art for All” which apparently reflects their artistic mandate. The following are quotes which they have used to describe their work:


Gilbert and George’s “In the Piss”

Gilbert and George’s “In the Piss”

“Now we use more colours, but in each picture they mean something different…They can be symbolic or they can be atmospheric or emotional…It’s more a part of our own language, really – part of our vocabulary”


“We wanted to dream a kind of paradise [with] those brightly lit human beings that we compare to flowers”


“It’s him, from head to foot. It’s very haunting. Because you think it’s a mouth, with an areshole in the middle, but in fact it’s a belly button.”


“Fundamentally, there’s something religious about the fact that we’re made of shit. We consist of the stuff. It’s our nourishment, it belongs to us, we’re part of it, and we show this in a positive light.”


Needless to say, I remain bewildered. Gilbert and George have not succeeded in creating ‘art for all’ as it definitely wasn’t for me. I found their images and ideas to be asinine, generic and unoriginally anarchical. Personally, I think ‘abject art’ or art that includes repugnant or vile subject matter to be rather interesting if done in an intelligent manner. For instance, the work of Andrea Serranno comes to mind in his works such as “Blood and Semen III” (which was used for a Metallica album cover) and “Piss Christ.”


                  Andres Serranno’s “Blood and Semen III”                               

Andres Serranno’s “Blood and Semen III”          

As depicted on Metallica’s ‘Load’ Album                



Andres Serranno’s ‘Piss Christ’

  Andres Serranno’s “Piss Christ”

I did not find Gilbert and George’s retrospective at all intriguing and find their talents to be child-like and completely over-rated. I hope my next entry will manage to encourage you to go to a show! I highly recommend the rest of the Tate Modern as their permanent collection is impressive and it remains my favorite gallery in London.

Leave a comment

Filed under art, c.c.c., contemporary artists, galleries, london, museums

Gurskey at the White Cube


One superb quality of the London art world, not to mention one of the city’s best kept secrets, is the hospitality offered by galleries during show openings. It isn’t the first thing that comes to mind when thinking of a great night out, but going to shows and looking at pictures while in the company of free alcohol and eccentric characters is often a recipe for entertainment. Openings usually take place on Thursday nights and because galleries usually come in groups, one can efficiently see a wide range of art in a night without walking off their buzz. If you don’t have friends that enjoy art, or simply want to meet new people, websites such as bring together persons interested in going to shows en masse, regardless of one’s art knowledge.

If you’re anything like me, you will only enjoy the work at a minority of galleries you experience. Not meant dissuasively, I think this is a good thing as the fun is in the search. However, when I can draw distinct parallels between artist and telemarketer I know I have stumbled into a sub-par show. I strongly feel that the audience should not need to be convinced of an image and that one should be able to enjoy a work on a superficial and intimate level. I say this still being shocked by a show I went to a couple weeks ago where the artist, dressed in a black turtle-neck and thick-framed glasses, pointed to his brown and black abstractions and actually recited how his images had ‘existential undertones.’ As this artist made a parody of himself, I was shocked at the lack of audience criticality as people were being force-fed what seemed to be ersatz meaning. This reminded me of a Degas quote from a poster in my high school art room, “Art is not what you see, but what you make others see.” At the end of the day, art world professionals will always tell you to find solace in what you find aesthetically pleasing and to make this a prerequisite for purchasing art. On a conclusive note, viewers who are new to the art scene often feel their opinions are unworthy and that finding a piece incomprehensible is due to a lack of formal art education. Especially in the commercial art world, there is a good chance that if the work looks like garbage, it is.

On a more positive note, tonight Andreas Gursky’s first solo exhibition at the WhiteCube gallery opened and it was one of the most impressive displays of photography I have ever seen. With the atmospheric detail of Ed Burtynsky’s photos, the epic proportions of Barnett Newman’s paintings, and the merging of fantasy and fiction that Janet Cardiff and George Bures Miller incorporate into their work, Gursky manages to take some of the best elements from other artists and merge them into single images. His large-format colour photographs depict the globalization of everyday society. In his Pyongyang (2007) series he was given permission to take photos at North Korea’s annual Arirang Festival which is celebrated in honour of the late Communist leader, Kim II Sung. With more than 50,000 participants performing choreographed acrobatics and in excess of 30,000 school children watching, the artist creates a sort of mosaic of people. The obvious incongruity of smiling faces and dancing within the controlled, totalitarian nature of the event adds a tension that glares right back at the viewer.


Each photo in this show has been skillfully altered using the latest digital technology which adds an interesting dimension to the work. For instance, in his three photos named James Bond Island I, II, III (2007), Gursky altars the Thai landscape in a way that a local would immediately recognize the geographical location and then question him/herself as to whether or not this was in fact the place s/he originally had in mind. Depicting the island peaks of Khao Phing Kan in Thailand (which were made popular by a recent James Bond film), even strangers to Thailand, such as myself, could detect an inexplicable intrusion or alteration of some kind. Like Jeff Wall, Gursky plays with the idea of photographic truth as he inserts fiction into the otherwise realistic-looking photos.

The layers of Gursky’s work can engage anyone from a child to an art connoisseur. I would highly recommend this show which runs from March 23rd to May 5th at White Cube Mason’s Yard. Also, remember to go to openings as you can often get a chance to meet the artists themselves (Gursky was there tonight), plus people that look like they have so much money they don’t know what to do with it. Nicknamed ‘the Young Saatchi’, Nicolai Frahm (a name worth Googling) was in attendance smiling, shaking hands and reeking of wealth. The combination of this demographic along with the free alcohol makes exhibition openings a promising choice for London singles.

Leave a comment

Filed under art, c.c.c., contemporary artists, contemporary collectors, galleries, london, travel, White CUbe